“Libahunt” Raises Questions at Torupilliooper Andrus Karnau, Journalist – April 7, 2026, 14:40 Margo Kõlari’s opera, Libahunt, currently playing at the Vanemuine Theatre, is generating discussion among audiences and critics alike. While the potential for a tuba’s prominent role within the orchestra remains a key point of interest, the opera’s central narrative is sparking debate. The work centers around the character of Tiina, portrayed by soprano Marta Paklar, who confronts composer Margo Kõlari, expressing frustration and celebrating her desire for freedom from labor. This scene, where Tiina declares Kõlari a “jerk” and voices her rejection of work in the forest, is a significant element within the production. The opera explores themes of slavery and freedom, concepts that have resonated throughout artistic history. Critics and audience members have noted a strong sense of engagement, driven by the relatable desire to escape obligations. The connection between this specific moment and the broader narrative of libahunt remains somewhat ambiguous. The production’s success hinges on establishing a clearer link between these individual expressions and the overall concept. Further discussion is expected regarding Kõlari’s innovative use of instrumentation and the impact of the opera’s exploration of personal liberation. Keywords: Vanemuine, ivar põllu, kristiina põllu, Margo Kõlar, Estonian opera, sadama theatre, marta paklar, libahunt, torupilliooper, traps Topics: #libahunt #torupilliooper #traps Post navigation The ardent neighbors said together to complain: we are not an opera audience who must applaud after a successful orgasm! CONTESTING⟩ Estonian theatre figures express support for their jailed Georgian colleague